This image is a bit different in the ‘Kryptomorphaics’ series in that it did not include any camera-based manipulation of the image. ’Invasive Species’ became apparent to me, as I was wondering through the systematic garden at Tower Hill Botanic Garden in Boylston, Massachusetts. I was on the prowl for some great new additions to the aforementioned series of abstract images and found a good number of them (the album can be found on Facebook – http://www.facebook.com/frankjansenphotography/ – under ‘Projects in Progress’ ). When I first looked at the flora presented to me in the small pond, my eyes went to some of the flowers and its structure against the sky; they presented an interesting subject, but didn’t have the pull, for which I tend to look in a subject. Allowing my eyes to trace the outline of the reeds and flowers downward, I was surprised by the stillness of the reflection and closed in for a better look.
Taking a step unto the stone surround of the pond, I noticed that there was a hint of a breeze at the top of the reeds, while the surface of the pond remained quiet and glassy. There was an abundance of small particulate matter floating in the pond, which gave me a sense of stellar matter floating throughout a galaxy; the tentative reflection of a bit of cloud hints at a galaxy that is reasonably close on the scale of the universe, but still distant enough to not directly affect the species floating throughout the vast empty space. As the story of this plant-like species’ journey through the vastness of space began to unfold in my mind, I could see it taking the role of an invasive species looking to colonize some unsuspecting planet that suited its particular needs. Surrounded by a cloud of seedlings, which are purposed to protect the main organism and scan the space ahead for a potential home world. We cannot fully grasp the scale of the organism: it may be the size of a large city, such as New York, or as large as a small moon. Only the destruction that it leaves in its wake gives us a measure of its voracity and appetite.
Enjoy this image, and don’t hesitate to let me know what it means to you. I am curious how you may read the image.
This image was captured at 100 ISO, F/13 at 1/30 second shutter speed. Color and contrast were adjusted for the desired effect in Photoshop.
On a beautiful Summer’s day I stopped at a rolling meadow to capture some of the landscape with my camera; less than twenty minutes later I got back in my car with a number of images, one of which is ‘Centripetus’.
In photographing landscapes, there is always a desire in me to capture something unusual that has not been seen the same way by all who were at the site. Whether it is the beauty of the sky, unusual features traversing the landscape or an alternate point of view, there should be something in a landscape image that makes the viewer want to look more than once.
With my eyes alertly searching for just the right kind of view that would make an interesting photograph, I squinted a bit as I walked past a tree and some small bushes growing next to it; looking through the bushes toward a horizon that showed a beautiful color palette across the sky, I sensed something more.
The more that I sensed consists of a view through these very bushes toward the reality that lies beyond them, not a clear view, but one filtered through a veritable web of perception. This view draws us in with the knowledge that there is more to be discovered beyond these bushes; we thirst to pass through the web and uncover what our eyes cannot yet see, while our entire being is tugged by the impetus to approach the center.
Take a moment to allow the eyes to slowly adjust and let themselves be drawn in; float with them and feel the force that resides within the green world in front of us.
This image was captured at 100 ISO, F/22 at 1/3 second shutter speed. A snappy zoom twist with a modicum of camera rotation was used to create a sense of webbed delight.
Blue view of glacially deposited rocks
In this image, ‘Introspection’, a sense of deep blue thoughts is evoked from within a deposit of rocks, brought to the site most likely with the help of the slow, methodical, yet inexorable power of a glacier. These rocks have seen much change around them, while they themselves have changed only slowly; withstanding the test of time, they absorb the vibrations of the universe, as they pulse through them. These rocks are an ancient recording device, filled with information, which may have immense value, if only it can be extracted.
The wisdom of the rocks stands in stark juxtaposition to the assumptions that we, humans, make about them; we hurl rocks as an insult to those, who we consider of inferior intellect: you have ROCKS for BRAINS! If we take into consideration that every rock has been a receiver of universal data for many aeons, we should be astounded by the cornucopia of knowledge that resides within each pebble; the volumes of data that exist within a brain-sized boulder will indubitably contain all of Einstein’s theories, quantum mechanics and string theory. If we think what might be stored in the rocks that make up Stonehenge, it will be well beyond our comprehension!
When the vibrations from these glacial deposits operate in harmony with our mind, wondrous images appear, an epiphany of geological proportions; allow the rocks to speak to you and listen carefully to their incantations…
This image was captured at 100 ISO, F/22 at 0.5 second shutter speed. A reasonably quick twist of the zoom barrel brought out the flow from the rocks. The original image was cropped and rotated 90 degrees; color and contrast were enhanced in Photoshop, but no effects were added to alter the image from that captured in the camera.
‘Pyroplasm 3x’ is one of the images that sprang from the first series of abstract images that I created within my camera. Sitting around a campfire with a group of fellow photographers, I mused over photographing the fire in front of me; looking to capture more of the content that lies within the fire rather than a purely pictorial representation, I opened my senses to the nature of the fire and its very essence. As a purely physical phenomenon, fire is the oxygenation of gaseous materials; upon deeper examination fire shows itself to have a life-force, to which many firefighters surely relate, as they stare down the flames and try to understand the next move of the fire in font of them.
Allowing my senses to open themselves up further to the campfire, I not only watch the playful dance of flames and feel the heat projecting from the various parts of the fire, but also listen intently to the sounds emanating from the fire and smell the oils in the wood and the smoke. Going deeper, bringing myself to meditate while focused on the intensity of the center of the flames, I begin to feel the strength of the universal processes at work and begin to connect with the creative forces that are an innate part of fire’s destructive power. Through this connection, I capture this image of creation juxtaposed by destruction, a universal dance of life and death.
I expect that each may have a different reaction to this image at various emotional levels, ranging from the visceral to the intellectual. Enlarge the image and allow time for the senses to connect with it; please share what you feel in this capture, as I enjoy your thoughts and feedback.
This image was captured at 100 ISO, F/9 at 8 second shutter speed. A gentle zoom twist was employed to get the some of the sense of flow. A steady hand ensured that the continuity of the gaseous flow was preserved in the image. The original image was cropped and rotated 90 degrees; color and contrast were enhanced in Photoshop, but no effects were added to alter the image from that captured in the camera.
‘Exeunt Omnes’ is a view towards a doorway and past stables in an abandoned farm building near the former Westborough State Hospital in Massachusetts. The environment is rich with detail that asks to be examined at leisure by the viewer.
The scene invokes thoughts of being in a forsaken, lonely place, where those who came before have all left a long time ago. Despite their departure, we still feel them in how their existence impacted the environs in a palpable manner: initials on the door, drawings in the concrete, broken glass. What occurred at this site? Was it a warm, welcoming place at one time?
Allow yourself to be drawn in to explore in detail what you see ahead. Follow those who came before toward the exit and the warm light that beckons. Heed their warnings as you pass.
This image is an HDR composite of 5 exposures. Photomatix Pro was used for the HDR processing. It is also available as a limited edition print (16″x21″), which underscores the dramatic tension within the scene through rich tones and exquisite detail.
Brush Abstraction 1
‘Brush Abstraction 1′ beckoned me to explore its possibilities, as I walked past a seemingly innocuous pile of twigs that remained from cleaning up the apple orchard that I was photographing. As I examined the brush pile, I felt drawn into a possible point of entry into an alternate space; not the traditional wormhole as described in physics and science fiction, but a solid connection with a plane of consciousness that hummed with the universal energy which pervades the universe.
As the eyes are relaxed and allowed to explore the various aspects of this image, you may feel your mind and maybe your entire presence drawn into the layered depths of exploration that surround all of us at all times. Go adrift and open all your senses while carefully listening to what they tell you. You may feel yourself accelerating at times, then spinning or alternately floating along threads within the universe that guide your everyday movements unbeknownst to you. Enjoy the feeling and breathe in the experience. Be sure to detach yourself slowly from this journey, so that its effects connect and possibly enrich into your daily life.
After reading this blog entry, click on the image and spend a minute or so absorbing the visual content while focusing only on your breath, as in meditation. Take a moment to reflect upon where the image takes you, and please share your experience in a comment to this entry; I look forward to hearing about your journey!
This image was captured at 100 ISO, F/22 at 1/13 second shutter speed. A snap zoom twist was employed to get the radial blur.
‘Cryptomorphosis 1′ received its title from what it performs in front of the viewer: the hidden (cryptic) content is transformed (morphed) to reveal itself. An ethereal shape takes form in this image, as the energies flow through it, or, possibly, radiate from it.
Careful observation of nature in all its forms may lead us to uncover latent structure that resides beneath the first layer that we see. The outer sheath presents a first order approximation of the power that dwells within each aspect of the flora and fauna of our planet. As we know from Einstein’s equation that mass contains massive amounts of energy, we merely need to peel back the outer coverings to allow the living spirit within to appear before our eyes.
But this process is similar to what happens when we catch something with the corner of our eye, only to have it elude our senses when we turn to look straight at it: only at the most oblique angles and with all our senses attuned, will the cryptic form reveal itself to us.
Next time when you encounter Mother Nature in your daily travels, relax all your senses and let your intuition guide you where to turn your eyes to uncover what lies beneath the surface; you may surprise yourself and see an entirely new light!
This image was captured at 100 ISO, F/22 at 0.4 second shutter speed. A gradual zoom twist was employed to get the radial blur, while taking an angle that would smear the white tips of the variegated vine to the upper left of the image.